{"id":6325,"date":"2020-12-14T13:27:13","date_gmt":"2020-12-14T12:27:13","guid":{"rendered":"https:\/\/www.hanabi.community\/?p=6325"},"modified":"2021-02-16T16:02:38","modified_gmt":"2021-02-16T15:02:38","slug":"silence","status":"publish","type":"post","link":"https:\/\/www.hanabi.community\/silence\/","title":{"rendered":"SILENCE"},"content":{"rendered":"\r\n\t\t<div id=\"fws_662e8a47eeb0d\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row  \"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-overlay=\"false\"><div class=\"inner-wrap\"><div class=\"row-bg\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone \"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div id=\"fws_662e8a47eef18\" data-midnight=\"\" data-column-margin=\"default\" class=\"wpb_row vc_row-fluid vc_row inner_row  \"  style=\"\"><div class=\"row-bg-wrap\"> <div class=\"row-bg\" ><\/div> <\/div><div class=\"row_col_wrap_12_inner col span_12  left\">\n\t<div  class=\"vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone \"   data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\">\n\t\t<div class=\"vc_column-inner\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div class=\"img-with-aniamtion-wrap \" data-max-width=\"100%\" data-max-width-mobile=\"default\" data-shadow=\"none\" data-animation=\"fade-in\" >\r\n      <div class=\"inner\">\r\n        <div class=\"hover-wrap\"> \r\n          <div class=\"hover-wrap-inner\">\r\n            <img loading=\"lazy\" decoding=\"async\" class=\"img-with-animation skip-lazy \" data-delay=\"0\" height=\"528\" width=\"400\" data-animation=\"fade-in\" src=\"https:\/\/www.hanabi.community\/wp-content\/uploads\/2020\/12\/AFF-SILENCE-HD.jpg\" alt=\"\" srcset=\"https:\/\/www.hanabi.community\/wp-content\/uploads\/2020\/12\/AFF-SILENCE-HD.jpg 400w, https:\/\/www.hanabi.community\/wp-content\/uploads\/2020\/12\/AFF-SILENCE-HD-227x300.jpg 227w, https:\/\/www.hanabi.community\/wp-content\/uploads\/2020\/12\/AFF-SILENCE-HD-9x12.jpg 9w\" sizes=\"(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw\" \/>\r\n          <\/div>\r\n        <\/div>\r\n      <\/div>\r\n    <\/div>\n\t\t<\/div> \n\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone \"   data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\">\n\t\t<div class=\"vc_column-inner\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\r\n<div class=\"wpb_text_column wpb_content_element \" >\r\n\t<div class=\"wpb_wrapper\">\r\n\t\t<p id=\"film_informations\"><em>Silence, de Masahiro Shinoda<\/em><br \/>\navec David Lampson, Don Kenny, Tetsuro Tamba<br \/>\nEn salles le 19 Juin &#8211; Japon &#8211; 2h09<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t<\/div> \n\t<\/div>\n\t<\/div> \n<\/div><\/div>\r\n<div class=\"wpb_text_column wpb_content_element \" >\r\n\t<div class=\"wpb_wrapper\">\r\n\t\t<div class=\"right\">\n<div id=\"film_resume\">\n<p><strong>Macao, XVIIe si\u00e8cle. Cela fait longtemps que le p\u00e8re Ferreira a disparu. Est-il amoureux ? A-t-il, comme on le murmure, renonc\u00e9 \u00e0 sa mission d\u2019\u00e9vang\u00e9lisation ? C\u2019est pour r\u00e9pondre \u00e0 ces questions que les pr\u00eatres portugais Rodrigues et Garrpe d\u00e9barquent clandestinement au Japon \u00e0 une \u00e9poque o\u00f9 le christianisme y est violemment pers\u00e9cut\u00e9. Confront\u00e9s \u00e0 la r\u00e9alit\u00e9 violente de cette r\u00e9pression et au silence de Dieu face \u00e0 la douleur humaine, leur rapport \u00e0 la religion chanc\u00e8le.\u00a0<\/strong><\/p>\n<p><strong>Le film de Masahiro Shinoda qui a inspir\u00e9\u00a0<em>Silence<\/em>\u00a0de Martin Scorsese (2016) sort pour la premi\u00e8re fois en France trente-sept ans apr\u00e8s sa pr\u00e9sentation au Festival de Cannes.<\/strong><\/p>\n<\/div>\n<\/div>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t<div class=\"wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-left\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t\t\t<div class=\"wpb_video_wrapper\"><iframe loading=\"lazy\" title=\"SILENCE de Masahiro Shinoda\" src=\"https:\/\/player.vimeo.com\/video\/345409968?dnt=1&amp;app_id=122963\" width=\"1080\" height=\"608\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n\t\t<\/div>\n\t<\/div>\n\r\n<div class=\"wpb_text_column wpb_content_element \" >\r\n\t<div class=\"wpb_wrapper\">\r\n\t\t<div class=\"right\">\n<div id=\"film_critic\">\n<p>La foi, ses crises et ses d\u00e9rives. La torture comme proc\u00e9dure politique, le martyr comme proc\u00e9dure religieuse. Le degr\u00e9 de solubilit\u00e9 d\u2019une culture dans une autre. La myopie des hommes et la surdit\u00e9 de Dieu. Tel est le c\u0153ur \u00e9pineux de\u00a0<em>Silence<\/em>\u00a0de Masahiro Shinoda qui vient de sortir en France trente-sept ans apr\u00e8s avoir \u00e9t\u00e9 pr\u00e9sent\u00e9 \u00e0 Cannes en 1971.<\/p>\n<p>Entretemps, le public aura d\u00e9couvert l\u2019adaptation du roman \u00e9ponyme de l\u2019\u00e9crivain catholique nippon Shusaku Endo \u00e0 travers la\u00a0<a href=\"https:\/\/www.club-vo.fr\/films\/silence\/\">version, occidentale et hollywoodienne, de Martin Scorsese<\/a>\u00a0(2016) avec Andrew Garfield, Adam Driver et Liam Neeson.<\/p>\n<p>Masahiro Shinoda (Gifu, 1931), l\u2019un des grands ma\u00eetres de la Nouvelle Vague japonaise, est donc le premier \u00e0 adapter le chef-d\u2019\u0153uvre litt\u00e9raire de Shusaku Endo. Dans un trio de tons qui sont autant de nuances de la violence (les bleus nocturnes du d\u00e9but, de la cachette, des premiers doutes ; les rouges flamboyants de la partie centrale, qui rappellent plus un b\u00fbcher qu\u2019un coucher de soleil ; les gris terreux de la fin, de cendres et de poussi\u00e8res), le cin\u00e9aste fait de la douleur, subie ou inflig\u00e9e, le pivot de son analyse.<\/p>\n<p>Avec une impassibilit\u00e9 \u00e9touffante mais pas pour autant inhumaine, Shinoda d\u00e9ploie calmement l\u2019arsenal de la cruaut\u00e9 terrestre auquel semble ne faire aucun \u00e9cho la voix divine. Les hommes souffrent au nom de la foi, choisissent la torture et la amoureux pour ne pas apostasier sur un\u00a0<em>fumi-e,<\/em>\u00a0mais face \u00e0 leur douleur, rien ne bouge du haut des cieux. Quels sont alors les limites, physiques, symboliques et de sens, de la douleur ? Quel est le point apr\u00e8s lequel le martyr cesse d\u2019\u00eatre un sacrifice et se transforme en f\u00e9tiche ?<\/p>\n<p>D\u2019un point de vue cin\u00e9matographique, Shinoda nous laisse avec des plans du Japon c\u00f4tier d\u2019une beaut\u00e9 sid\u00e9rante, avec des regards tristement inoubliables et avec des cadrages d\u2019une \u00e9l\u00e9gance folle. D\u2019un point de vue existentiel, il nous laisse avec le go\u00fbt amer des doutes et la menace toujours planante de notre propre l\u00e2chet\u00e9. E.D.G.<\/p>\n<\/div>\n<\/div>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Macao, XVIIe si\u00e8cle. Cela fait longtemps que le p\u00e8re Ferreira a disparu. Est-il amoureux ? A-t-il, comme on le murmure, renonc\u00e9 \u00e0 sa mission d\u2019\u00e9vang\u00e9lisation ? C\u2019est pour r\u00e9pondre \u00e0 ces questions que les pr\u00eatres portugais Rodrigues et Garrpe d\u00e9barquent clandestinement au Japon \u00e0 une \u00e9poque o\u00f9 le christianisme y est violemment pers\u00e9cut\u00e9. Confront\u00e9s \u00e0 la r\u00e9alit\u00e9 violente de cette r\u00e9pression et au silence de Dieu face \u00e0 la douleur humaine, leur rapport \u00e0 la religion chanc\u00e8le.\u00a0<\/p>\n<p>Le film de Masahiro Shinoda qui a inspir\u00e9\u00a0Silence\u00a0de Martin Scorsese (2016) sort pour la premi\u00e8re fois en France trente-sept ans apr\u00e8s sa pr\u00e9sentation au Festival de Cannes.<\/p>\n","protected":false},"author":4,"featured_media":6381,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[55,54],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>SILENCE - Hanabi Community<\/title>\n<meta name=\"description\" content=\"Silence, Masahiro Shinoda. Macao, XVIIe si\u00e8cle. Cela fait longtemps que le p\u00e8re Ferreira a disparu. 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